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C300 canon eos cinema grade cameras
C300 canon eos cinema grade cameras





c300 canon eos cinema grade cameras
  1. #C300 canon eos cinema grade cameras full#
  2. #C300 canon eos cinema grade cameras iso#

It allows the cinematographer a simple, no-nonsense pathway to "lock-in" a flat color matrix and Canon Log gamma.

c300 canon eos cinema grade cameras

Canon Log Gamma contributes to the C300's ability to effectively capture approximately 12 stops of dynamic range, even in low light.ĬP CINEMA Locked is a mode Canon has included with the C300 to easily engage Canon Log and prepare the camera's color matrix for optimum post-production results. This allows more image information to be retained for color correction and visual effects. Canon Log allows the cinematographer to record images to the same reliable and tested on-board Canon XF Codec, but with a high dynamic range, flat image quality, low contrast and subdued sharpness. It is not a RAW recording option, but it brings some of the benefits of RAW to colorists who want the most amount of information to work with. To achieve this, Canon's C300 combines their brand new Canon Log Gamma along with a number of innovations such as their new 35mm CMOS sensor, the DIGIC DV III processor and Canon's XF Codec, to produce images that are ready for the rigors of today's post-production workflows.Ĭanon Log is a brand new gamma setting which is included in the EOS C300. With the C300, Canon has given filmmakers and cinematographers an affordable Super 35mm based digital cinema camera that contains wide latitude and high dynamic range without the need for dramatic workflow changes. As a result, this has oftentimes limited the use of this workflow for many users and projects. Your camera needs to give you the ability to retain the greatest dynamic range possible.Ī few high-end video camera systems have introduced proprietary RAW recording formats in order to retain as much information as possible in post-production, but these workflows require a tremendous amount of computer overhead and enormous file sizes. When working on films, commercials, music videos and any other project where you need to work with your images to create a very specific and repeatable look, latitude is king. While most of today's video cameras are capable of creating a pleasing in-camera look, the ability for a camera to capture images that are "tuned for post" is essential. The article will also explain how the View Assist feature works and discuss CP CINEMA Locked Mode. This article will discuss the new Canon Log Gamma of the Canon EOS C300, show sample images and discuss its advantages in post-production. In many camera systems, the dynamic range is so limited that it is impossible to retain this information and therefore, visually, your creative freedom is greatly diminished when you get to the post-production phase of a project. This is certainly not a camera for anyone other than the absolute professionals and the price tag makes it perfectly clear.One of the biggest challenges with the transition from film-based cinema cameras to digital cinema cameras has been achieving a similar degree of latitude and dynamic range so that shadows and highlights are retained in your footage. Unfortunately, all the quality and performance does not come for cheap and as is usual for Canon Cinema cameras, the C300 Mark II comes with an eye watering price, $16,000 in this case. The camera also supports Canon Dual Pixel CMOS AF over 80 of the total image area. The camera also has extremely wide 15-stop wide dynamic range so you can be sure to capture all the details in the bright and the dark areas. The camera supports the new Canon Log Gamma 2 profile that allows headroom for color grading in post.

#C300 canon eos cinema grade cameras full#

The camera can record in Full HD (1920×1080), 2K DCI (2048×1080), 4K UHD (2840×2160), and 4K DCI (4096×2160), all of which can be recorded internally on CFast 2.0 memory cards or output to an external recorder through built-in 3G-SDI ports.

#C300 canon eos cinema grade cameras iso#

The sensor is capable of shooting up to ISO 102,400 and sensor readout has been sped up by two times over the previous one to reduce rolling shutter distortion.

c300 canon eos cinema grade cameras

Canon has also developed a new XF-AVC codec that allows recording 10-bit 4:2:2 4K image internally without having to rely on an external recorder. The C300 Mark II has a new 8.85 megapixel super 35mm CMOS sensor coupled with Dual DIGIC DV 5 image processor. The C300 Mark II has a new super 35mm sensor and 4K internal recording and 15-stop wide dynamic range. Canon has announced the latest flagship member of its cinema line of EOS cameras.







C300 canon eos cinema grade cameras